BEHOLD THE DARK KNIGHT: Producers talk IMAX

Continuing coverage of the Dark Knight, producers Charles Roven and Emma Thomas told me about the IMAX camera used to film certain scenes. Here’s a sample:

Despite the learning curve, the results pleased Nolan and his producers so much that they used the cameras in more instances than originally planned. “The prologue was always meant to be [filmed in IMAX], the car chase was meant to be, [and] the end was going to be,” Thomas recounted, with Roven adding, “Hong Kong.” Thomas continued, “As we went along, there was just some shots that we just thought would be great in IMAX, and so we just added some because it turned out to be much, much easier than we thought it would be.”

More at CBR.

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